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Lotus Temple, Delhi
The Bahá'í House of Worship, New Delhi, India.
The Baha’í Faith
The Baha'í Faith is the youngest of the world's independent religions. Its founder, Bahá'u'lláh (1817-1892), is regarded by Bahá'ís as the most recent in the line of Messengers of God that stretches back beyond recorded time and includes Abraham, Moses, Buddha, Zoroaster, Christ and Muhammad.
The central theme of Bahá'u'lláh's message is that humanity is one single race and that the day has come for its unification in one global society. God, Bahá'u'lláh said, has set in motion historical forces that are breaking down traditional barriers of race, class, creed, and nation and that will, in time, give birth to a universal civilization. The principal challenge facing the peoples of the earth is to accept the fact of their oneness and to assist the processes of unification.
One of the purposes of the Bahá'í Faith is to help make this possible. A worldwide community of some five million Bahá'ís, representative of most of the nations, races and cultures on earth, is working to give Bahá'u'lláh's teachings practical effect. Their experience will be a source of encouragement to all who share their vision of humanity as one global family and the earth as one homeland.
Baha’í Houses of Worship
Bahá’í houses of worship are open to all peoples. Although their architectural styles differ widely, the nine sides and central dome common to all of them symbolize at once the diversity of the human race and its essential oneness. Devotional programs are simple, consisting of prayers, meditations, and the reading of selections from the sacred scriptures of the Bahá'í Faith and other world religions. Music is provided by unaccompanied choirs.
The Grand Structure of Bahá’í Temple
In the raising of the House of Worship in New Delhi traditional Indian means of construction were employed coupled with the most modern Western engineering design. Fariborz Sahba, Canadian architect of Iranian origin, spent 10 years in designing and project management, and with the help of a team of about 800 engineers, technicians, artisans and workers brought to realization one of the most complicated constructions in the world. Rising pure and unsullied above stagnant, muddy waters, the Indians have seen this flower as worthy of emulation, teaching them to be detached from material preoccupations.
This temple joins six other Bahá’í temples around the world. Each of these Houses, while sharing some basic design concepts, has its own distinct cultural identity embodying the principle of unity in diversity. The structure of the House of Worship in New Delhi is composed of three ranks of nine petals; each springing from a podium elevating the building above the surrounding plain. The first two ranks curve inward, embracing the inner dome; the third layer curves outward to form canopies over the nine entrances. The petals, constructed of reinforced white concrete cast in place, are clad in white marble panels, performed to surface profiles and patterns related to the geometry. Nine arches that provide the main support for the superstructure ring the central hall. Nine reflecting pools surround the building on the outside, their form suggesting the green leaves of the lotus flower. Translating the geometry of the design, in which there are virtually no straight lines, into the actual structure presented particular challenges in designing and erecting the framework.
Not only was it difficult to align, so as to produce accurately the complex double-curved surfaces and their intersections, but also the closeness of the petals severely restricted workspace. Nevertheless the task was carried out entirely by the local labourers. To avoid construction joints, petals were concreted in a continuous operation for approximately 48 hours. Concrete was carried up the staging by women bearing 50-pound loads in baskets balanced on their heads. All the steel reinforcing for the shells of the lotus petals was galvanized to avoid rust stains on the white concrete in the prevailing humid conditions, guaranteeing the life of the delicate shell structure of 6 to 18 cm thick shells of the petals.
The architect believes that this design could not have been executed anywhere else because it is rare to find the combination of traditional craftsmanship, pride in one's work, empathy for spiritual undertaking, perseverance under all odds and ample patience, as can be found in the Indian subcontinent. As commented by Progressive Architecture of USA in their article on the Bahá’í Temple "It goes to prove that high-tech concepts do not always demand high-tech solutions." The Indian visitors, from the most sophisticated to the most simple, expressed perplexity at the absence of any idols. It has been a hard task since explaining to them that the all-pervasive Almighty cannot be put in any limited form. Hence, over the years the visitors from India have begun to understand that the purpose of the Bahá’í House of Worship is to unite the hearts of the people and bring them closer to their Creator.
Since its inauguration to public worship in December 1986, the Bahá’í House of Worship in New Delhi has drawn to its portals more than 50 million visitors, making it the most visited edifice in the world. People have come regardless of the scorching summer heat of Delhi, which sometimes rises above 40°C during the months of June to September, and have braced the chill and cold rains that Delhi experiences during winter. They have admired the beautiful lotus form of the Temple, and have been fascinated by the teachings of the Bahá’í Faith, which believes in oneness of God, oneness of religions and oneness of mankind.
The recently opened Information Centre of the House of Worship, a self explanatory panel tour with audiovisual facilities, furthermore provides richly detailed information about the history of the Bahá'í Faith, the different Bahá'í temples around the world, the construction of the temple in New Delhi, as well as the social and economic development projects which the Bahá'ís are involved in.